The Prestige of Terror
2010
The work is displayed as part of the permanent exhibition
Χαρακτική
Ink on paper
17 prints 21,5 x 28 cm each
Purchased as part of the programme ""NEON FUND FOR EMST"", 2014
Inv. No. 1019/14
The practice of photographers Adam Broomberg and Oliver Chanarin centres on a critical approach to the medium of photography as trace and testimony of contemporary political history. Their multifaceted conceptual work unfolds through a research methodology that borrows the tools of ethnography to focus on dark periods of human history marked by violence, the trauma of war, and socio-political conflicts. The Prestige of Terror came as part of the duo’s attempt to retrieve the history of “Art et Liberté”, a group of surrealist artists, writers, and political activists in Egypt while it was under British rule since the late 1930s. The title comes from that of the 1945 pamphlet Prestige de la terreur, published in French in Cairo by one of the group’s most prominent members, the poet Georges Henein, a few days after the atomic bombs in Hiroshima and Nagasaki. In his text Henein denounces violence and terror as a “lesser evil” option for legitimising a democratic war. Based on a strategy of appropriating excerpts from the group’s publications and classifying them arbitrarily, the work hovers between poetic subversion and historical testimony.
Tina Pandi, text from the permanent exhibition guide ENTER EMST : Collection & History, A short guide, 2020